NO ALTERNATIVE: “…And That’s A Wrap!”

The last time I updated my blog, we had yet to begin production on “No Alternative.” Perhaps it’s a testament to the all-consuming nature of production that you have not heard from me since! I am therefore extremely pleased to write that we’ve finished principal photography and the film is in the proverbial “can.” I want to reiterate […]

NO ALTERNATIVE: To Be Continued…

It has been an incredibly rewarding, and equally exhausting, few months. I launched my first crowdfunding effort for “No Alternative” on Indiegogo, which succeeded in raising over $50,000 for the project. While it missed the mark of my goal, this is a big chunk of the budget that will, no doubt, help the film get […]

All Writing Should Be Eulogies

I’m the go-to guy in my family for eulogies. Someone dies, I’m you’re man. In one respect, this may seem flattering, if not comforting; in every other respect, it’s quite the opposite. I remember being in the hospital, sitting next to my sister while she was on life support. She had stopped breathing and was […]

Suicide: The End, and the Beginning

I think a lot of people who say they don’t think about suicide, think about suicide. I’m not saying they think about committing suicide, but the idea, the notion, the concept, is pervasive in our culture, and frankly, our DNA. It’s there, bubbling underneath the surface. As I write in the opening lines of my […]

The Beginning of a Movement: THE FIFTH WALL

“The Fifth Wall” is a response to the modality of contemporary Hollywood. The origins of its manifesto are attributed to my time at the AFI and its message developed along with some of my fellow filmmaking classmates: While we were at the AFI a few of us conceived of a movement we called “The Fifth Wall.” Whether through the use […]

What Does The Sundance Film Festival Mean To Middle Class Filmmakers?

What does this year’s Sundance Film Festival mean to Middle Class Filmmakers? Let’s first compare last year’s sales with this year’s sales. In 2015, the big Hollywood distributors bought the majority of the films showcased at the festival—Fox Searchlight bought “Me and Earl and the Dying Girl”; Open Road bought “Dope”; Sony Pictures Classic bought […]

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