Behind-The-Scenes: The Release of “Don’t Look Back”

Over the past few months, I’ve experienced the incredible rollout of my latest film, “Don’t Look Back.”

The movie was initially released on Video On Demand and then had its domestic television debut in October on Lifetime Movie Network. On the night of its debut, it drew over 1.1 million viewers. It was an amazing experience. I even dabbled in a live tweeting session with two of the film’s cast members, Lucy Griffiths and Tyler Jacob Moore, during the broadcast.

DLB-Tweeting

I didn’t get nearly as many questions from fans as the two stars sitting next to me…but I did get some!

What was really cool about the experience was tweeting behind-the-scenes pics and info while those very scenes played out on the television in front of me. I’ve gotten some great feedback on the site, specifically, how I talk behind-the-scenes details and provide a glimpse into my directing process. Here’s a portion of a recent comment: “As an audience member, you do wonder what the director, writer and actors went through during the creative process and this is a wonderful resource for that. It is always interesting to know when shots and frames don’t just ‘happen’ but were planned to add more to the story than the action and dialogue.” I’m really glad to hear it.

MovieMaker-DLB-Eddie-WithViewfinder

The craft of directing can often seem intangible, or at times mysterious, and I take every element of the process extremely seriously. A recent article I wrote on directing a scene in “Don’t Look Back” was published in MovieMaker Magazine. Here’s a link where you can check it out:

http://www.moviemaker.com/archives/series/how_they_did_it/inserting-cuts-oner-dont-look-back/

In these days of microbudget films, with limited time and resources, you have to be as prepared as possible before you begin production in order to call audibles and change things up later on down the line. In fact, I’ve written a book all about the process of directing my first feature film, “Detour,” which is slated to be published early next year. So…keep an eye out for it!

In the case of “Don’t Look Back,” I was fortunate to have wonderful producers, and terrific cast and crew members, who supported my vision and helped me finish the film in the best possible manner!

 

REBEL WITH, OR WITHOUT, A CAUSE

Rebel

We’ve entered an age when everyone is on camera.

It didn’t used to be like this. It used to be an event to be filmed, a happening, something we would dress up for or prepare for minutes, days, weeks, even months in advance. When Norma Desmond said she was “ready for her close-up” back in 1959, her character had spent decades preparing for it. Not so today. Today, most people barely dress up, or wear anything at all, to be on camera. Not only that, they post it instantaneously on the worldwide web for everyone and their grandmothers to see. Though, I do doubt the web-surfing abilities of most grandmothers. Close-ups are not hard to come by, and who needs Cecil B. Demille to shoot it for you, not when you can snap a selfie.

We are reminded recently of what was once special about the art of the moving picture when footage of a screen test Marlon Brando did for the movie, REBEL WITHOUT A CAUSE, surfaced.

15 minutes of fame has quickly become 15 minutes of non-fame (if some folks are lucky) because everyone is famous now. And a lot of people are famous for no particular reason. They are famous for the sake of being famous, an obvious, and perhaps unfortunate, byproduct of a culture in which everyone films themselves all of the time.

Our lives are quickly becoming the recordings of lives.

Human behavior is becoming a reenactment of a reenactment. The reflections of our lives that we post become reality, a reality that seeks the approval of a thousand strangers who determine the worth of our lives with one click of the “like” button.

Somewhere in between these two realities – that which resides in front of our eyes and that which resides in the wires behind a computer screen – is Taylor.

He is fact. He is fiction. He is Taylor.

William Dickerson is Stephen Fry proof thanks to caching by WP Super Cache