NO ALTERNATIVE: “…And That’s A Wrap!”

The last time I updated my blog, we had yet to begin production on “No Alternative.” Perhaps it’s a testament to the all-consuming nature of production that you have not heard from me since! I am therefore extremely pleased to write that we’ve finished principal photography and the film is in the proverbial “can.”

On the set of “No Alternative.” Photograph by Joshua Sarner.

It want to reiterate that I would not have been able to get this far without the help and support of everyone who contributed to our crowdfunding campaign on Indiegogo. Because of the strength of the Indiegogo campaign and your stalwart support of the cause, this project has gained the attention of magazine, newspaper and television outlets around the country. It also attracted the interest of investors who also believed in the film — both in its message, and in its commercial viability.

I can honestly say that everyone involved in the filming, from the actors to each and every crew member, was emotionally connected to the material and brought their A-Games to the set:

It was an absolute pleasure to work amidst such a passionate and talented group of people. The leads, Michaela Cavazos and Conor Proft, impressed me more and more each passing day. They were outstanding as Bridget and Thomas Harrison and I can’t wait for viewers to see just how outstanding their performances are on screen. I was also thrilled to work with veteran actors, Kathryn Erbe (“Law & Order: Criminal Intent”) and Harry Hamlin (“Mad Men”), who played the Harrison parents. I can’t thank them enough for their passion, generosity and faith in me as their director. Coming-of-age movies about families are hard to make in Hollywood, but I truly feel this movie was meant to be made — it was a near-impossible task, but everyone’s contributions made it possible. And it was not only monetary contributions: people donated their time, their 90’s era vehicles, their wardrobe, their food, their houses (as locations and for lodging), their instruments, their band logos and music, among many, many other valuable goods and services. My hometown, the City of Yonkers, could not have been more accommodating throughout the process — it has always bee a dream of mine to shoot this film there. This project was about as grassroots as it gets; and you know what, each and every step of it was invigorating!

Left to right: Conor Proft, Kathryn Erbe, William Dickerson, Harry Hamlin, Michaela Cavazos.

I’m extremely excited to be heading into the next phase of the film: the editing phase. We have a wonderful editor, Natasha Bedu, who has spent a lot of her time recently cutting the Emmy Award-winning series “Intervention” on A&E. Natasha couldn’t be more excited to be part of the team, and I’m thrilled to have her on board!

As we venture into post-production, our fiscal sponsor, From the Heart Productions, has encouraged us to continue raising money for this final, and crucial, part of the process. Those looking for end-of-the-year tax deductions, all contributions remain fully tax-deductible. Please share the project, if you haven’t done so already, and consider adding to your contribution if you feel compelled to do so — we’ve already done so much with a relatively small amount of money (by Hollywood’s standards), a little bit more will assure we get the best post-production sound and color correction we can swing. Here is a link to our current campaign:

https://bitly.com/noalternativefilm

Thank you so much for your support! I wish you all the best this holiday season!!

 

Behind-The-Scenes: The Release of “Don’t Look Back”

Over the past few months, I’ve experienced the incredible rollout of my latest film, “Don’t Look Back.”

The movie was initially released on Video On Demand and then had its domestic television debut in October on Lifetime Movie Network. On the night of its debut, it drew over 1.1 million viewers. It was an amazing experience. I even dabbled in a live tweeting session with two of the film’s cast members, Lucy Griffiths and Tyler Jacob Moore, during the broadcast.

DLB-Tweeting

I didn’t get nearly as many questions from fans as the two stars sitting next to me…but I did get some!

What was really cool about the experience was tweeting behind-the-scenes pics and info while those very scenes played out on the television in front of me. I’ve gotten some great feedback on the site, specifically, how I talk behind-the-scenes details and provide a glimpse into my directing process. Here’s a portion of a recent comment: “As an audience member, you do wonder what the director, writer and actors went through during the creative process and this is a wonderful resource for that. It is always interesting to know when shots and frames don’t just ‘happen’ but were planned to add more to the story than the action and dialogue.” I’m really glad to hear it.

MovieMaker-DLB-Eddie-WithViewfinder

The craft of directing can often seem intangible, or at times mysterious, and I take every element of the process extremely seriously. A recent article I wrote on directing a scene in “Don’t Look Back” was published in MovieMaker Magazine. Here’s a link where you can check it out:

http://www.moviemaker.com/archives/series/how_they_did_it/inserting-cuts-oner-dont-look-back/

In these days of microbudget films, with limited time and resources, you have to be as prepared as possible before you begin production in order to call audibles and change things up later on down the line. In fact, I’ve written a book all about the process of directing my first feature film, “Detour,” which is slated to be published early next year. So…keep an eye out for it!

In the case of “Don’t Look Back,” I was fortunate to have wonderful producers, and terrific cast and crew members, who supported my vision and helped me finish the film in the best possible manner!

 

William Dickerson is Stephen Fry proof thanks to caching by WP Super Cache