Behind-The-Scenes: The Release of “Don’t Look Back”

Over the past few months, I’ve experienced the incredible rollout of my latest film, “Don’t Look Back.”

The movie was initially released on Video On Demand and then had its domestic television debut in October on Lifetime Movie Network. On the night of its debut, it drew over 1.1 million viewers. It was an amazing experience. I even dabbled in a live tweeting session with two of the film’s cast members, Lucy Griffiths and Tyler Jacob Moore, during the broadcast.

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I didn’t get nearly as many questions from fans as the two stars sitting next to me…but I did get some!

What was really cool about the experience was tweeting behind-the-scenes pics and info while those very scenes played out on the television in front of me. I’ve gotten some great feedback on the site, specifically, how I talk behind-the-scenes details and provide a glimpse into my directing process. Here’s a portion of a recent comment: “As an audience member, you do wonder what the director, writer and actors went through during the creative process and this is a wonderful resource for that. It is always interesting to know when shots and frames don’t just ‘happen’ but were planned to add more to the story than the action and dialogue.” I’m really glad to hear it.

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The craft of directing can often seem intangible, or at times mysterious, and I take every element of the process extremely seriously. A recent article I wrote on directing a scene in “Don’t Look Back” was published in MovieMaker Magazine. Here’s a link where you can check it out:

http://www.moviemaker.com/archives/series/how_they_did_it/inserting-cuts-oner-dont-look-back/

In these days of microbudget films, with limited time and resources, you have to be as prepared as possible before you begin production in order to call audibles and change things up later on down the line. In fact, I’ve written a book all about the process of directing my first feature film, “Detour,” which is slated to be published early next year. So…keep an eye out for it!

In the case of “Don’t Look Back,” I was fortunate to have wonderful producers, and terrific cast and crew members, who supported my vision and helped me finish the film in the best possible manner!

 

DON’T LOOK BACK: Television Premiere

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My latest film, “Don’t Look Back,” will be premiering nationwide on LMN (Lifetime Movie Network), Sunday, October 5th at 8:00pm (with repeat airings to follow):

http://www.mylifetime.com/movies/dont-look-back

I encourage you to tune in! I will be live-tweeting during the broadcast…and I encourage you to join me (@WDFilmmaker) on Twitter using #DontLookBack:

https://twitter.com/WDFilmmaker

The film is also available RIGHT NOW online through these platforms:

iTunes: https://itunes.apple.com/us/tv-season/dont-look-back/id905543703
Amazon Instant Video: http://www.amazon.com/Dont-Look-Back-Lucy-Griffiths/dp/B00NBD067A
VUDU: http://www.vudu.com/movies/#!content/554110/Dont-Look-Back
Google Play: https://play.google.com/store/movies/details/Don_t_Look_Back?id=SXpz_D_TcaI
Vimeo On Demand: https://vimeo.com/ondemand/20579

If you haven’t seen the trailer, you can watch it here:

Nora Clark is a children’s book writer whose life is at a crossroads. After moving back into the house she inherited from her grandmother, Nora comes to grips with the traumatic memories from her childhood, and takes in an inquisitive, seductive new roommate, Peyton, who is not entirely whom she appears to be. Lucy Griffiths (TRUE BLOOD) and Cassidy Freeman (LONGMIRE) star alongside Tyler Jacob Moore (SHAMELESS), Roddy Piper (THEY LIVE) and Emmy Award Nominee Kate Burton (SCANDAL).

Here are some recent quotes from the press:

“‘Don’t Look Back’ plays on elevating levels of the human mind, and takes the psychological thriller to a sharp peak.” – Movie Pilot

“This is Roddy Piper’s best performance since ‘They Live!'” – Film Pulse

“The moody acumen ‘Don’t Look Back’ generates almost bristles with a sense of auteur bravado.” – Paste Magazine.

Please watch and help spread the word! #DontLookBack

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