#MiddleClassFilmmakers

It seems my Indiewire piece on “The 99 Percent…In Hollywood” struck a nerve [bit.ly/1XtxL9K]. I think that’s a good thing, both positive and negative responses alike. The point was to start a conversation and the conversation has begun. Most of the response out there has been positive and I can’t thank you enough for the support. […]

Me and Earl and the Dying World of Independent Film

When I first saw Me and Earl and the Dying Girl, I referred to the film as Me and Earl. The choice to shorten the title was a subconscious one, but it was still a choice, and the choice was to avoid the elephant in the room: that a girl is going to die in the movie […]

THE MICROBUDGET REVOLUTION

Did anyone notice that the movies nominated this year by The Independent Spirit Awards for Best Feature were the same movies nominated by the Academy of Motion Picture Arts & Sciences for Best Feature, with the exception of one film, Love Is Strange? If the Academy Awards were created as a platform to showcase commercial […]

Why “Whiplash” Won an Oscar for Best Editing

whiplash (n): 1. the lash of a whip. 2. an abrupt snapping motion or change of direction resembling the lash of a whip. 3. a neck injury caused by a sudden jerking backward, forward, or both, of the head: Whiplash resulted when their car was struck from behind. “Whiplash,” written and directed by Damien Chazelle and edited by Tom […]

DON’T LOOK BACK: The Pieces of the Puzzle

I’m a big fan of mystery. Where there’s a mystery, there’s a puzzle to be solved. And with any mystery comes clues. “Don’t Look Back” is no exception. You might catch clues on the first viewing of the film, but you’ll likely catch more on the second. In the spirit of celebrating the mystery of […]

William Dickerson is Stephen Fry proof thanks to caching by WP Super Cache