NO ALTERNATIVE: “…And That’s A Wrap!”

The last time I updated my blog, we had yet to begin production on “No Alternative.” Perhaps it’s a testament to the all-consuming nature of production that you have not heard from me since! I am therefore extremely pleased to write that we’ve finished principal photography and the film is in the proverbial “can.”

On the set of “No Alternative.” Photograph by Joshua Sarner.

It want to reiterate that I would not have been able to get this far without the help and support of everyone who contributed to our crowdfunding campaign on Indiegogo. Because of the strength of the Indiegogo campaign and your stalwart support of the cause, this project has gained the attention of magazine, newspaper and television outlets around the country. It also attracted the interest of investors who also believed in the film — both in its message, and in its commercial viability.

I can honestly say that everyone involved in the filming, from the actors to each and every crew member, was emotionally connected to the material and brought their A-Games to the set:

It was an absolute pleasure to work amidst such a passionate and talented group of people. The leads, Michaela Cavazos and Conor Proft, impressed me more and more each passing day. They were outstanding as Bridget and Thomas Harrison and I can’t wait for viewers to see just how outstanding their performances are on screen. I was also thrilled to work with veteran actors, Kathryn Erbe (“Law & Order: Criminal Intent”) and Harry Hamlin (“Mad Men”), who played the Harrison parents. I can’t thank them enough for their passion, generosity and faith in me as their director. Coming-of-age movies about families are hard to make in Hollywood, but I truly feel this movie was meant to be made — it was a near-impossible task, but everyone’s contributions made it possible. And it was not only monetary contributions: people donated their time, their 90’s era vehicles, their wardrobe, their food, their houses (as locations and for lodging), their instruments, their band logos and music, among many, many other valuable goods and services. My hometown, the City of Yonkers, could not have been more accommodating throughout the process — it has always bee a dream of mine to shoot this film there. This project was about as grassroots as it gets; and you know what, each and every step of it was invigorating!

Left to right: Conor Proft, Kathryn Erbe, William Dickerson, Harry Hamlin, Michaela Cavazos.

I’m extremely excited to be heading into the next phase of the film: the editing phase. We have a wonderful editor, Natasha Bedu, who has spent a lot of her time recently cutting the Emmy Award-winning series “Intervention” on A&E. Natasha couldn’t be more excited to be part of the team, and I’m thrilled to have her on board!

As we venture into post-production, our fiscal sponsor, From the Heart Productions, has encouraged us to continue raising money for this final, and crucial, part of the process. Those looking for end-of-the-year tax deductions, all contributions remain fully tax-deductible. Please share the project, if you haven’t done so already, and consider adding to your contribution if you feel compelled to do so — we’ve already done so much with a relatively small amount of money (by Hollywood’s standards), a little bit more will assure we get the best post-production sound and color correction we can swing. Here is a link to our current campaign:

https://bitly.com/noalternativefilm

Thank you so much for your support! I wish you all the best this holiday season!!

 

An Inside Look Into the Making of “No Alternative”

I’m thrilled to announce that Film Slate Magazine will be publishing a series of real time updates on the pre-production, production and post-production of my film, “No Alternative.”

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“No Alternative” is a personal film that, these days, is near impossible to get made in Hollywood. I’ve written a great deal about how the decline of the middle space of filmmaking has essentially mirrored the decline of the middle class in this country—the chasm between the one percent of filmmaking—tent-pole blockbusters—and the ninety-nine percent—indie films, which have been relegated to shrinking microbudget levels—has never been greater, or more stark.

I’ve directed a few features and never really considered crowdfunding as an option, but Hollywood’s rather myopic focus on the “biggest” and “broadest” has led indie filmmakers like me to welcome such an avenue—we’ve always had to beg, borrow and steal, but such an ethos has never been more germane to independent filmmaking as it is right now. Inspired by my sister’s real-life struggles with mental illness, “No Alternative” couldn’t be more personal to me, and therefore it made for a good project to attempt to crowdfund. Through my research, I’ve found that people are more likely to contribute to a person with a personal story, with a cause, than to simply a story itself.

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We raised over $50,000 through Indiegogo and continue to raise funds through our non-profit sponsor, From The Heart Productions here: https://bitly.com/noalternativefilm. The campaign attracted a lot of attention and drew support from a great deal of people, including Amazon Studio’s own Ted Hope. We’ve been able to raise eighty-five percent of our budget from outside investors who were also drawn to the project and its accompanying crowdfunding campaign. It’s important to remember that crowdfunding campaigns are not only about raising money, they’re also about establishing, and subsequently building, your base. This base includes supporters, fans and potential business partners like investors, producers and keys of departments. The crowdfunding page for your film serves as its “go-to” hub for people interested in it. The best part of it is: if they like what they see and hear, they can be a part of making the movie a reality!

I’ve been open and honest not only about my personal connection to the material, but also about the filmmaking process itself. I’ve written a book on microbudget filmmaking and plan to put my experience and theories on the subject to the test on this film, and I will be keeping a journal of sorts of the process and publishing it in Film Slate Magazine over these next few months as we make “No Alternative.” Stay tuned!

“No Alternative” – The Crowdfunding Campaign

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I launched my first crowdfunding campaign this week.

Crowdfunding is its own art form—an art form I’m no expert at, I’m sure—but indie film is at a point where grassroots funding is becoming more and more critical to sustaining its viability. It’s almost impossible to get Hollywood to fund something that’s not a thriller, or a horror movie, or a comic book movie—and they rarely ever fund coming-of-age films. The filmmaking community, and their audiences, have been left with tent-poles (studio movies made for 150 million and up) and microbudgets (movies made for under a million, often far less than a million).

The middle class space of filmmaking has disappeared. This is something I’ve written a lot about for Indiewire over the past few months. I’m hoping we can rebuild this artistically important space, one movie at a time—and right now I’m attempting to fight the good fight with my new film: “No Alternative.”

The character of “Bri Da B” is inspired by my sister, who for most of her life suffered from mental illness. One of the ways she was able to cope and enjoy her life was through rapping. When the character of Bridget becomes “Bri Da B,” that transformation into someone else helps lessen the pain she is feeling in her life.

I have always thought of “No Alternative” as a love letter to my sister, a plea for her survival. That’s why I originally wrote the novel this film is based on. I wish I could tell you that plea was successful. But, I can’t. The majority of my sister’s life was a battle fought against borderline personality disorder, drug addiction and suicidal behavior. A battle she ultimately succumbed to on July 1, 2014.

While she may have lost her battle, I’m hopeful we can win the war—and we can do it in honor of her, and others who have suffered like she did. The issue of mental illness needs to be destigmatized and “No Alternative” seeks to do just that.

The campaign for “No Alternative” is officially being sponsored by From the Heart Productions, a 501(c)3 non-profit organization that supports films that make a contribution to society. By contributing to this film, you are not only helping other socially conscious films get made, but your donation is also tax-deductible.

This campaign encompasses the entire process—from pre-production, to production to finishing the film in post. I encourage you to check it out on Indiegogo: http://igg.me/at/noalternative

There are some amazing perks/rewards for contributors. Here is a list of just some of them: Signed editions of my books, Parental Advisory “Bri Da B” official movie T-Shirts, filmmaking mentorships with both myself and my co-screenwriter, Dwight Moody, opportunities to be a part of the movie as featured extras, as a band, or having supporting characters named after you, and we’re even offering major “hero” props from my previous films like “Detour” and “Don’t Look Back.”

Please check out the campaign page for all the other cool rewards you can redeem when you make a contribution.

“No Alternative” probes the lives of rebellious kids who transition into adulthood via the distortion pedals of their lives in an era when the “Sex, Drugs & Rock’n’Roll” ethos was amended to include “Suicide” in its phrase. Help destigmatize mental illness, addiction and suicide: there is no alternative.

Thank you so much for your support.

NO ALTERNATIVE: “The Clarity of Regret”

NoAlternative-TitleI just completed my book tour.  It was a great success, and also a heck of a lot of fun.  I’m grateful to those bloggers who hosted my book and to Kriss and Kai of The Finishing Fairies for organizing the endeavor.

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On the tour, I released an exclusive clip from a reading I did at Stories Books and Cafe in Echo Park.  Here it is:

The promotional campaign for this book has been grassroots.  Perhaps in line with the spirit of the characters in the novel, the concept behind writing this book, and consequently marketing it, is the “DIY” mindset.  If there is a core ingredient to punk rock, if there is an ideal to aspire to in said art form, it is the collective embrace of the do-it-yourself spirit, culture and lifestyle.  Just like the indie bands of the early 90’s, before there were social networks and paid advertisements on facebook and twitter, it was all about word-of-mouth.  So, if you’ve heard of “No Alternative,” and you dig what it’s about, please spread the word.

Here is the excerpt from the novel that I read in the above clip:

This break-up was the bittersweet kind, as if there is any other kind, but a kind nonetheless, and this kind fell into a specific subset of the bittersweet break-up, one that is typical among teenagers who have professed their love for one another, exchanged sterling silver rings, broken heart pendants, leather jackets, punk rock mix tapes. It’s falling head-over-Converses in love at an age when we’re still growing, physically, mentally, and emotionally, but more than just growing, expanding at breakneck speed, finding ourselves at a pace that is downright alarming and which will never be duplicated for the rest of our lives. It’s guaranteed that no love will last, but this teenaged love feels like heroin in the brutal rush of its power, its ability to commandeer the body and the mind and its ability to make you feel like a steaming pile of shit when it comes to its crashing end. It’s not that teenaged love is more powerful than any of the other types of love we experience throughout our lives, it’s just that we will never feel that way again, never feel that rush of addiction, the certainty that we have found our proper place in the universe and we feel that way precisely because we haven’t completed our physical and mental maturation. That’s what makes it unique. That’s what makes it addicting. That’s what makes it so enervating when it starts and so heartbreaking when it ends. And it always ends. And when it does, what was once there, what was once perfect, becomes irretrievable –

It’s lost forever.

Jeremy and Leslie were on the beach, kissing tenderly and gently, the way a couple that is not brand new starts to do at some point before they stop kissing altogether, kissing for what was soon to be the last time. It was the fact that they knew it was going to be the last time that made the kissing even more tender, as though there were memories tied up in it, as though there were regrets, not of times gone by but of times that would never be. He could feel her face, their cheeks grazing against each other’s, their tears mixing together, and he remembered how he licked them off his lips, tasting them. He tasted the salt; it was like he dipped his tongue into the expanse of the Pacific Ocean. As Jeremy sat in his dank little holding cell in Bronxville, it was like the break-up was happening to him all over again, like he was replaying the events in his mind with Technicolor clarity, not the cheap rewinding and replaying of a VHS tape, but the hyper-clarity of a laserdisc, right down to the depiction of the blood dripping into the sand after she left. It was as High Definition as hi-def could get back then. Before there was Blu-ray and plasma televisions, there was the clarity of regret.

Thanks for reading.

You can find the book on Amazon, in Paperback and in Kindle: www.amazon.com/noalternative

William Dickerson is Stephen Fry proof thanks to caching by WP Super Cache